Nostalgiaana
  • Home
  • About us
  • R4 WeekEnd Shows
  • Testimonials
  • Media
    • Visual Media
  • Member Presentation
    • Book a Member Presentation
    • Book a Premier Member Presentation
  • Saregama

दस राग और एक प्रेम कहानी

5/5/2024

1 Comment

 

Kartikeya Juneja | 20th Apr 2024

When you run into a 24-year-old and are hazarding a guess of the kind of music he would be listening to, chances are you wouldn't be thinking of the Hindi Retro Film music of the 50s and before. My introduction to Kartikeya started off on this note. About a year ago he got in touch with over social media and whilst we exchanged notes, he came across as someone who was besotted by the 1950s of HFM. So much so that we even conducted a few shows exclusively of the 50s decade for an audience of his choice. We didn't find this choice of decade unusual .......... well until we found out his age!!!

Kartikeya started his PMP by stating that he likes to listen to all genres of music, but his favourite remains the songs in HFM which are based on classical music of the golden era. He weaved his 10 songs with a compelling narrative of a love story as it unfolds with each song sequentially
  1. Starting off with a raag Hameer based composition he presented the song "Lachhmi Moorat Daras Dikhaye" from the film "Street Singer". Kannan Devi's crisp rendering of this Bhakti geet from the 1938 film was just the start one needed to jump into the Kartikeya mood of the retro HFM.
  2. After starting off with a devotional song, Kartikeya now opened his love story to the audience. The kick start of a love relationship is attraction, and he starts from this premise with the song "Do Maina Matware" from the film "My Sister (Meri Bahen)". This Raag Kalyan based song of K L Saigal song is an ode to the "Matware" nain (eyes) of the woman which seems to draw the attention of the lover to them.
  3. With the man setting his eyes on his lady love, it's reciprocation time and the next song "Hue Unse Naina Chaar" from the film "Bekasoor" describes the feelings of the woman as she also feels her heart slipping away .... आशाओं में हलचल है, अरमानो में तूफ़ान, दिल कर बैठा है प्यार, अब में क्या करूँ .... convey the mood of the woman nicely 
  4. Any couple in love would know that "roothna - manana" is part of this wonderful journey and invariably must come in every love story. Kartikeya's story is no different. Hansdhwani based composition "Jaa Tose Nahin Bolun" from the film "Parivar" comes up next as the story now moves to the stage where both have acknowledged their respective loves and this "nonk-jhonk" must appear as part of the story's continuity. This song on screen is seen as Krishna trying to cajole and convince Radha to give up her anger
  5. As the love story continues, Karikeya now moves to the humour part of the relationship with the song "Lapak Jhapak Tu Aare" from the film "Boot Polish" based on Raag Darbari. Only Shankar-Jaikishan could have pulled off a comical song based on such a serious raag where David on screen is seen invoking the rains to soothe his bald head and help grow back the hair.
  6. Dedication is the next stage of the love story once it is clear between the two lovers that they are made for each other, and it seems natural for them to spend their lives together. "Man Mera Udta Jaye Ba" from the film "Maa Beta" was next on the list, A song adapted from Rabindra Sangeet this delectable composition of Hemant Kumar is soothing to the ears. These lines convey the sentiments beautifully the feelings of someone in love ........ आज न रोको प्यार के इस दीवाने को | हातों से दिल जाता है तो जाने दो | तोड़ चला ये बंधन सारे , जहाँ साजन का प्यार पुकारे | पागल मन है कब यह किसी की माने रे 
  7. Envy does creep into the love relationship and Kartikeya takes his love story forward where this feeling is depicted through the classical touch comical song "Aao Aao Sanwariya" from the film "Padosan". An outrageously filmed song, it always brings a smile to our faces watching or even just hearing it 
  8. Anxiety about the future of the relationship is inevitable and Kartikeya move to this sentiment with the next song "Ritu Aaye Ritu Jaye" from the film "Hamdard". Based on Raag Sarang and Malhar. Not a conventional Separated-in-love song, this song talks about various Ritus (Seasons) with consequent changes in the mood of the song (based on the season) conveying the moot point that seasons come and go, but the sight of the beloved is still deprived. 
  9. "Tinak Tin Tani" from the film "Sargam" seems a misfit in the context of this presentation at first listening, but a more careful listening brings out the nuances that Kartikeya wishes to showcase. Overcoming obstacles as part of the love journey is common and if love is intense and sincere the lovers can overcome situational difficulties to accomplish their goal 
  10. Finally love triumphs, if stayed the course by those in love. The finale - "Man Ki Been Matwari" from the film "Shabab" which is based on the Raag Basant + Bahar was Kartikeya's sign off song. All well that ends well, goes the adage and sure enough we close this presentation with a happy ending

I am stunned by the precision of Kartikeya's delivery, conciseness of content, a taut narrative and a choice of songs that left us spellbound. At the end there's only one thing I can say ... Take a bow Kartikeya! 
1 Comment

चलो Picnic अतुल के संग

5/1/2024

0 Comments

 

Atul Mishra | 13th Apr 2024

All of us have been on picnics at different stages of our lives. The school picnics were fun and joyous . The college picnics set the context for teenage romances and the office picnics were for socializing and chilling out. Picnics in HFM are no different. They are of all kinds, and this is what Atul Mishra, Kanpur walley chose as his theme along with the ubiquitous thermos flask, Chattai (Mat) and the Guitar on display as he presented his songs. 

Here are the songs presented. 
  • An appropriate start with the song "Sa Re ke Sa Re Ga Ma ko Lekar gaate chale" from the film "Parichay". Gulzar's play with words is on displays where he uses the notes of the Sargam to create a song with multiple interpretations. As flicker of romance (on screen) builds between Jeetendra and Jaya Bhaduri, R D Burman unleashes the child in him. Impossible to not let the child in you awaken as you hear this song. 
  •  "Hawa Chale Kaise" from the film "Daag" featured next, which Atul mentioned as a "Nirguni" Bhajan presented in the form of a Picnic song. In some ways, Sahir acknowledges, through these lyrics, that some things in life are unexplainable and it best to let them remain so. A magnificent score from L-Ps only collaboration with the Chopra's 
  • Trust Shailendra to write song for a comic situation filled with optimism with eccentric Kishore Kumar all suited up delivering it with aplomb. The song "Rang Yeh Duniya Badalti Hai" from the film "Naughty Boy" was Atul's next choice and Boy, did it set the hearts soaring in joyous with the words. 
                                           दिल का साज़ जब छिड़ जाए धड़कन गाने गये 
                                           फिर एक शाम की पहचान अफसाना बन जाए 
                                           जीवन वो धरा है जो बांध के रह ना पाए 
  • Picnics songs don't always come in the happy flavor . There are other shades too in the HFM context as the next song "Jab Chali Thandi Hawa" from the film "Do Badan" showcased. The eyes of a woman in love searching for her beloved in the crowd of people is something all of us who have been in love would empathize with. How the mood would be uplifting if suddenly out of nowhere the beloved appears 
                                    ज़िंदगी की दास्तां, चाहे कितनी हो हंसीं
                                    बिन तुम्हारे कुछ नहीं,  बिन तुम्हारे कुछ नहीं
                                    क्या मज़ा आता सनम,  आज भूलेसे कहीं
                                    तुम भी आजाते यहीं, तुम भी आजाते यहीं​
  • When a bunch of friends head out to have fun, they set on fire the place, mood. The song "Hum Hain To Chaand Aur Taare" from the film "Main Nashe Mein Hoon" was just that. This one was of course a surprise as a picnic showcase. Nice of Atul to pick this up.
  • Didn't most of us have a crush on one of our teachers, especially on a picnic. The song "Teetar Ke Do Aage Teetar" from the film "Mera Naam Joker" is a reminder to us all of those days. Another picnic song so endearingly composed by SJ and sung by Asha Bhosle. The finish is truly magnificent as the chorus (for the kids on screen) runs along with Asha's solo voice as it fades into the distance as the train moves out of sight. WOW!!
  • No picnic can be complete without food and how does one make up for its absence. The song "Suraj Zara Paas Aa" Film from the film "Ujala" is a sombre reminder of the fact that some picnics can be without food and still be fun. Shailendra's piercing lyrics hits one deep. 
                                    चूल्हा है ठंडा पड़ा और पेट में आग है 
                                    गरमा गरम रोटियां कितना  हसीन ख्वाब है 
  • A regional song was next on the list and Atul presented the song "Vaanengum Thanga" from the film "Moondram Pirai". The movie which was made later in Hindi as Sadma features this nearly forgotten song. Raja unleashes his magic on our senses with the Guitar riff at the start and S.Janaki's sonorous voice coupled with the chorus and SPB's vocal make this a song for all seasons. 
  • Picnics are meant to bloom romances when in college no doubt, but what if there is a counselling session between two lovers where one is talking of love in glory and the other is conservative and is bogged down by the troubles of life. Sahir's in the song "Din Hain Bahaar Ke" from the film "Waqt" does exactly this and lo behold, this is a picnic song too. 
  • Atul's icing on the cake was the song "Yeh Sham Mastani" from the film "Kati Patang". A contrast to the earlier song such that the hero is keen to romance but the heroine for societal reasons is hesitant. An eternal favorite of many, Atul signed off with this glorious melody of the 70s which saw the Quartert of RDB + Kishore + Anand Bakshi + Rajesh Khanna at their respective peaks. 

A lovely set of songs of Atul on the picnic theme. While the theme itself is common the selection of songs conveying varied moods within the picnic format is what set this presentation apart. Thank you Atul for the walk thru the park. I certainly reminiscenced about my picnic days fondly.

0 Comments

मशहूर , फिर भी गुमनाम

4/5/2024

0 Comments

 

SAM Naqvi | 4th Apr 2024

A soft-spoken ex-bureaucrat with a heart of gold, SAM broke religious conventions by presenting an entertainment show during the holy month of Ramzan. He started off with an imaginary interaction between him and "Bhagwanji" which I attempt to textualize for readers here.

SAM - Bhagwanji , I will not be able to offer prayers tonight as I have to present a show. Please excuse me for this 
Bhagwanji - But why did you do this?
S - It wasn't me but Balaji who organized this and I had no choice. You know him, don't you?
B - Yes, I know him. But why did he not realize this. Anyways, you have sinned and will have to endure a punishment. However, I can offer you relief by moving 50% of the punishment to Balaji. 
S - I have one more request. When I carry out a good deed, please ensure Balaji gets 100% of the benefits of this!!!

Wah!! SAM, Kya baat kahi . I am so humbled to be at the receiving end of your good wishes. 

SAM chose to feature lyricist and poet Sudarshan Kamra, better known by his Takhallus Sudarshan Faakir as one who is famous (thanks to his songs being rendered by Begum Akhtar and Jagjit Singh) yet remains in the shadows when the topic of famous Ghazal writers come up. Among the rare tribe of Non-Muslim Shaayar's from Punjab, Faakir deserved to be brought to limelight and that's exactly what SAM attempted to do. 

The details of songs 
  • SAM made a cracking start to the show with the Non film Ghazal "Ishq Mein Gairat- e- Jazbaat Ne" rendered by Begum Akhtar. Her rich sonorous timbre voice was the perfect start one would expect. The lyrics loosely translated to - In love, the fear of feelings being exposed did not allow me to cry. otherwise, what else could have been the reason for me not to cry.
  • SAM presented another Begum Akhtar non film song "Hamri Atariya Pe Aao". A fairly famous version of Begum Sahiba, this one never fails to evoke nostalgic memories for most listeners.
    • Jagjit & Chitra Singh, needless to say, got featured the most in SAMs presentation. Jagit Singh which whom he shared a close relationship starting from Woh Kagaz Ki Kashti. The other Jagjit songs (Sung or composed) that featured in the show are mentioned below. Nothing that has not already been said, can be added for the combination of Jagjit Singh and Sudarshan Faakir. Each one a gem on its own and leaves you with fragrance of life. 
  1. "Woh Kagaz Ki Kasti , Woh Baarish ka panni" in 1982. Sam closed the show with this memorable song ..one for the roads as Ghazal lovers would have quipped while listening to a show of Ghazals. 
  2. Shayad Main Zindagi Ki Sahar 
  3. Kisi Ranjish Ko Hawa Do 
  4. Aadmi Aadmi Ko Kya Degaa 
  5. Zindagi Tujhko Jiya Hai 
  • Is Duniya Mein Aurat Kya Hai from the film Ek Chadar Maili Si is an ode to the mother who carries love in her heart and tears in the eyes. Hard-hitting lyrics by Faakir
  • Zindagi Mere Ghar Aana from the film Dooriyan was by far the most popular song of the show with the Jaidev stamp over it. Faakir invitation to "Zindagi" to come over home is endearing as a metaphor on how one should treat Zindagi and make it a part of our routines each day.  
  • Kaise Likhoge Mohabbat Ki Kitaab a non-film album of Pankaj Udhas was also part of the featured songs. The modern digitally sounding arrangement didn't sound jarring to the ears and basic melodic structure remained intact. 

आदमी आदमी को क्या देगा, जो भी देगा , ख़ुदा देगा  , says SAM of his life story.  The lines - इश्क़ का ज़हर पी लिया फ़ाकिर , अब मसीहा भी क्या दवा देगा is his love story, where he fell in love and got married to his love. ज़िन्दगी को करीब से देखो, इसका चेहरा तुम्हे रुला देगा is a reminder to the unfortunate end to this love story from which SAM says he still hasn't recovered and  ज़िन्दगी अभी भी रुला रही है उन्हें 

Our good wishes with you and we know the love of your life was listening to your presentation and gave you a warm hug, from wherever she is

A Touching narrative, great choice of songs weaved through the threads to human emotions. 

खूब दोहराया SAM भाई !!
0 Comments

एक सवाल मैं करूँ ?

3/24/2024

6 Comments

 

Nandkishor Desai | 23rd Mar 2024

Life is complicated. Don't try to find answers because when you find the answers, life changes the questions.

~ Unknown

Truly, life's throws up many questions and songs in Hindi Films look at this position from various sides of the human spectrum. Happiness, sorrow, anger, frustration, helplessness, love, hatred and many other emotions have been spoken about by lyricists in their songs as questions and this is what Nandkishor Desai (popularly known as NKD) touched upon in his presentation. 

Golfers are known to have a sense of purpose, honesty to the boot, passion & confidence about the craft and above all humility in their demeanor. NKD is an avid golfer and displays all of these characteristics both in life and in his passion for Film Music. A true connoisseur that he is, NKD, like the Single Malt he loves, gets better with age :)  

His songs feature questions that the characters in them ask to different people, sometimes to themselves. The big question that NKD himself faced while choosing the 10 songs was - which ones to leave out?

Here's the listing of his songs. 
  1. NKD starts with whom I believe is his favorite composers- Shankar-Jaikishan and what a start.   Man Re Tu Hi Bata from the film Hamrahi is a Kaviraj Shailendra masterpiece. As NKD points out Kaviraj gives दिल an entity distinct from the body that it resides in. Lines in this song which emphasizes this point is - नींद में जब यह जग सोता है , में रोती हूँ दिल रोता है . A Shailendra song never fails to invoke introspection from within.
  2. A simple straight from the heart melody is the style of Composer Ravi. NKD's choice of  Uljhan Suljhe Na from the film Dhund reiterated this style. Simple Piano based melodic strokes painted this song with varied kaleidoscope of human emotion when confronted with despondency. Sahir's lines - ना मरना रास आया | ना जीना मन भाया | जाऊँ कहाँ मैं  - deal the death blow to the one faced with this situation.
  3. Duniya Kare Sawaal from the film Bahu Begum is an all-time classic. Sahir's pointed questions to the beloved who chose to not endure society in the fulfillment of his love leaves you pondering - रातों को जागने की सज़ा कौन दे गया | कहने से हो मलाल तो हम क्या जवाब दें
  4. Bol Mere Maalik Tera Kya from the film Halaku is a lesser heard showpiece from the magnificent duo of Shankar-Jaikishan. A pacy start leaves you wondering on the mood of the song until all of a sudden, the vocals bring out the pathos of a someone who has been left alone the face the travails of life. Hasrat Jaipuri's words बोल मेरे मालिक क्या ये ही तेरा इन्साफ | जो करते हैं लाख सितम उनको करता तू माफ़  tell it all. 
  5. Ek Sawaal Main Karoon from the film Sasural is what everyone expected would be part of the playlist today and sure enough NKD did not disappoint. Shailendra's question as a response to a question is a unique style of writing which SJ tune in their usual flair leaving one gasping in astonishment at the final creation.
  6. Dil-E-Nadaan Tujhe Hua Kya Hai from the film Mirza Ghalib is a delectable beauty, popular yet enduring to this date. 
  7. Kya Tum Wohi Ho from the film Man Ki Ankhen was the surprise pick of the show. A lost-in-oblivion song from the combo of Laxmikant-Pyarelal and Sahir Ludhianvi . Love is truly a blessing and anybody who's been through it will agree with the experience that Sahir is talking about - ख्यालों मैं जो मुस्कुराती रही है | धानक बांके नज़रों मैं छाती रही है | मेरे दिल के सुनसान आँगन मैं अक्सर | जो रातों को पायल बजती रही है . A question that every lover wants to seek answers to
  8. Main Tumhi Se Poochti Hoon from the film Black Cat, though a run of the mill love utterances song still leaves you wondering why is that those in love have unwavering trust in each other, why is it that they can't see anything else except their beloved everywhere. 
  9. Main Nigahein Tere Chehre Se from the film  Aap Ki Parchhaiyan is a continuation of the previous song, where the one in love can't get the imagery of his beloved out of his mind and she's all pervasive in his world. NKD makes a mention of the antara which is unavailable in the audio versions - मेरी आखों मैं गीले शिकवे है , प्यार भी है | आरज़ूय भी है, हसरत-ए-दीदार भी है | इतने तूफ़ान मैं आपको छुपाऊं कैसे | मैं निगाहें तेरे चेहरे से हटाऊँ कैसे 
  10. Naghma-O-Sher Ki Saugaat from the film Gazal is a woman's perspective of being in love ... not frequently seen / heard in HFM till the 80s or later. Trust Sahir to get under the skin of a lady in love and come up with such meaningful lyrics - गर्म सासों मैं छुपे राज़ बताऊँ किसको | नरम होटों मैं दबी बात किसी पेश करूँ. The metaphors of warm breath and soft lips is just breathtaking. For somebody who, it is believed, never wished to fall in love (frightened of the commitments that come with it) this is imagination at its creative best. 

Take a bow NKD!!!. 

An unexplored topic, engrossing narration, excellent choice of songs made me hear all the songs again the next day with renewed interest & intent. 

6 Comments

दसों दिशाओं में एक आशा !

3/17/2024

0 Comments

 
Suresh Kulkarni | 16th Mar 2024
When you have a Chief Risk Officer of a Finance Company presenting his set of songs, one would expect him to present a set of songs which are time tested on the popularity meter. If that same person also happens to be a Business Intelligence and Data Analyst specialist, then you would also expect a set of songs to be deeply researched into. Well, Suresh Kulkarni took the risk of choosing rare songs (with a few exceptions) but his deep research and analysis proved to be attraction of his presentation. 

As the title suggests, many moods of Asha Bhosle was his theme and I empathize with his difficulty of choosing 10 songs from the oeuvre of work of the Diva which runs into thousands of songs ... equivalent of lifting the "Shiv Dhanush" as Suresh himself put it, in his introduction to his PMP. 

So, here's his pick of 10 songs of various moods of Asha with 10 different composers as a tribute to the lady who stood shoulder to shoulder with his elder illustrious sister. 
  1. Sakhi Ri Sun Boli from the film Miss Mary was the only duet (with Lata Mangeshkar) in this presentation. Perhaps symbolic of the times we note that on the screen actress Meena Kumari (for whom Lata lends her voice) is coaching a student (for whom Asha lends her voice). A challenging song for Asha and Suresh rightly says that she matches Lata "taan" for "taan". This song was chosen for the Classical style of its creation. 
  2. Suresh mentioned that O P Nayyar should be credited for bring Asha to the center stage and I certainly agree. He picked up Jadugar Saanwariya from the film Dhake Ki Malmal as a song to showcase the unique association between a creative composer and his muse. This folk rhythm-based song sees Asha excel in her voice modulation. Suresh must be complimented for resisting the temptation to pick up among the several other popular songs of the two artistes. Suresh chose this as his romantic flavor 
  3. For a tinge of sorrow and despair, Suresh chose the song Jab Tumne Mohabbat Chheen Li from the film Amanat as the 3rd showcase and this is a Salil Chowdhury composition. Given the popular perception that Salilda preferred Lata for rendering his compositions, very brave of Suresh to choose Salilda in an Asha presentation. A magnificent piano based prelude leads to the Mukhda in which the first two syllables are in distinctly low and high pitch and Asha glides through them with ease. 
  4. Next came a devotional mood with the song Aali Ri Mere Maina from a Non-film album of Asha. Again, a genre which is largely the territory of the elder sister, there are enough songs which Asha has rendered in the film and non-film space. This Meerabai bhajan has another version by Lata but this one, a Jaidev composition is a supreme one in grace and devotion. A lovely choice in a genre not often spoken of Asha Bhosle 
  5. How can an Asha Bhosle playlist be complete with a R D Burman composition. Throw in Gulzar into the combination and you surely have a classic. Suresh picks up a classical-devotional genre song Mere Angna Aaye Hain from the film Naram Garam. An unlikely song in a comedy movie Naram Garam, the song never fails to captivate you no matter how many times you listen to it.
  6. Pavan More Angna Mein from the film Shehnai is a "loree" which Suresh picks up to showcase yet another mood of Asha Bhosle. The composition of Ravi, who arguably gave Asha songs which were as unique as the ones given by O P Nayyar and R D Burman.
  7. As if to shake up the listeners from slipping into a slumber, Suresh picks up a Club song next. Parwanon Ki Raah Mein from the film Hariyali Aur Raasta is the surprise choice for a club song, given the plethora of songs in this genre that she has sung for many composers. Shankar-Jaikishan would be least recollected composers for a Club song of Asha Bhosle. This one was WOW !!... slipped out of public memory, truly a rare find. Well done Suresh for this choice!!
  8. Nikle They Kahan from the film Bahu Begum is the choice for a Mujra genre. This space arguably is owned by Asha and in this song she proves why. One of the few songs in the songs which escaped the tag FTH - First Time Heard. On a side note, Helen's moves in a mujra are silken and for someone who was famous for western club dances, she does a fabulous job.
  9. Some combinations of Singer + Composer + Lyricist are absolute magic and in the Marathi Films space, Asha Bhosle + Sudhir Phadke + GD Madgulkar fits this description. Jeevalaga, Kadhi Re Yeshil Tu from the Marathi film Suvasini is a song that needs no understanding of the language despite its emphasis on the four seasons of the nature that it speaks about as the woman awaits her beloved. Each antara is in a different Raga and is an all-time classic!!
  10. Suresh closes the show with a Ghazal of Asha Bhosle Salona Sa Sajan from the Non-Film album Meraj -E – Ghazal. A delectable composition, Asha creates the right mood and fervor that is expected in the Ghazal genre. A nice way to finish off the presentation. 

Asha Bhosle is a living legend, whose presence we sometimes seem to take for granted. Despite some obvious misses like Khayyam, Madan Mohan and SD Burman, I salute Suresh for being brave enough to pick up rare songs which sometimes don't go down well with the audiences of a MP/PMP. In his profession he must have done this job of picking up or picking out risks. Here too he did a great job of picking up his songs :)
0 Comments

Duets of Lata Mangeshkar with other female singers

3/10/2024

0 Comments

 
Manik Gumte | 9th Mar 2024 
Manik Gumte followed the theme of R. Parthasarathy who a few days ago had presented duet songs of Mohd. Rafi with other male singers. Only he reversed the gender of the singer(s). Manik chose to present songs of Lata Mangeshkar with other female singers as his theme. Quite a challenging theme considering that Manik chose to not enter into the decade starting from 70s. It's quite natural for listeners to wonder who outside of Asha Bhosle & Geeta Dutt would feature since the number of female duets itself is handful in Hindi Film Music (HFM)

Allow me to get Asha Bhosle and Geeta Dutt out of the way at the start as these take a big share of Lata's female duets. As one would expect Lata's duets with Asha Bhosle and Geeta Dutt were popular ones and did not catch us with surprise. 
  • For Asha Bhosle, Manik chose Jab Jab Tumhe Bhulaya from the film Jahaan Ara. The song filmed on Minoo Mumtaz and Aruna Irani playing courtesans at the court of the Mughal Emperor. Lata and Asha vie for honors and look to be one-up on each other. 
  • For Geeta Dutt the song chosen was Ta Thaiyya Karte Aana from the film Panchayat. Filmed on Shyaama and Jabeen Jalil, this outstanding duet is a testimony to the times when these two singers, albeit with different styles were at the top of their singing career.  The breezy, two-paced song has both the faster and slower piece wonderfully embedded into the same Mukhada and antaras . A fabulous one from the talented Iqbal Qureshi, who sadly never made it big in his career. 

Let's now look at the other eight duets featured in the show. 
  • Another Mangeshkar clan was featured as part of the show. The duet with Usha Mangeshkar chosen was Tumko Piya Dil Diya from the film Shikari. In a lighter vein this is the Mangeshkar(s) singing for OP Nayyar :). The arrangement is quintessentially OP-ish , and why not given that GS Kohli the composer of this duet assisted OPN for a long time. The Dholaks and Claps based rhythm is a clear give away. 
  • A surprise packet was Kabhi Aaj Kabhi Kal from the film Chand featuring a Lata and Suman Kalyanpur duet. A clone of Lata (with no disrespect of course), Suman constantly remained in the shadows of Lata albeit making the most of the opportunities that was presented to her - during the Rafi-Lata tiff and in the Marathi film music where Lata remained away due to her commitments with Hindi Films. Many listeners on the show commented that it was nearly impossible to identify the two voices, thereby leading credence to the "clone" theory.
  • Saraswati Rane scion of Ustad Abdul Karim Khan was a accomplished Hindustani Classical singer. She, however, had only a brief outing in the Film Playback world and this duet with Lata is their only collaborated song ever. Jab Dil Ko Sataave Gham from the film Sargam is composed is classical style suiting Saraswati's voice with Lata giving her able company. The lyrics - Jab Dil Ko Sataave Gham, Tu Chedd Sakhi Sargam - is an apt description of what music can do to a sorrowful soul.
  • Zindagi Badli from the film Anhonee featured Rajkumari with Lata in what can be called a passing over the baton song. Rajkumari was very active in Films until the advent of Lata and her fortunes began dwindling as Lata's career soared. A song in two tone character - one exuberant and the other poignant as the two Nargis's (double role) are in in contrasting mood on screen.
  • Bansuriya Kaahe Bajai from the film Aagosh featured Sudha Malhotra singing with Lata. A sweet melody from Roshan who also composed the Anhonee song with Rajkumari (in feature), is the flavor of the 50s that refuses to lose its charm. The Mukhda reminds you of the part - Chalo Jamuna Ke Tat Par.......Shyam Rang Ranga Re of Apne Paraye (1980)
  • Bol Papihe Bol from the film Tarana features Sandhya Mukherjee who was a prolific singer in Bengali Films, but her career never took off in Bombay. Almost sounding like an early Geeta Dutt voice, Sandhya sang less than 20 songs in Hindi Films. 
  • The super popular song Gore Gore O Baanke Chore from the film Samadhi brought the spotlight on Ameerbai Karnataki who sang this duet with Lata. A song that continues to enthrall listeners even 70 years after its recording is testimony to the adage - good quality music has no expiry date. 
  • The final song of the show was a song that ruled the airwaves in the early 60s and announced the arrival of the composer duo Laxmikant-Pyarelal. Hansta Hua Noorani Chehra from the film Parasmani featured Kamal Bharot singing with Lata in what is a foot tapping evergreen melody. 

Credit to Manik for the theme chosen and the deep dive in bringing out these singers who collaborated with Lata in all female duets. A not very often spoken about theme and I am glad, Manik chose to highlight it. As always, a treasure trove of discovery came out of the session. Manik may have found the camera focus a bit discomforting but his songs more than made up for that, leaving a sweet aftertaste. 
0 Comments

Gitanjali Express - Calcutta to Bombay

3/8/2024

1 Comment

 
Indranath Mukherjee | 7th Mar 2024
The Gitanjali Express connects Calcutta (now Kolkata) and Bombay (now Mumbai) two cities varied in their cultures and ethos. One common factor that connects them is Music, though of different kinds. Mumbai has for nearly a century remained the bedrock of Hindi film music, while Kolkata is steeped in the work of Tagore (Rabindra Sangeet) and Kazi Nazrul Islam (Nazrul Geethi) 

Indranath Mukherjee in the presentation sought to bind the two by presenting his favorite set of 10 songs which have their inspirations in Bangla songs / compositions. He showcased the work of Tagore, Himangshu Dutta, Sudhin Dasgupta, Nachiketa Ghosh, Nazrul and also the folk influence from which the HFM adapted to their needs of Hindi Films.

​Himangshu Dutta

Once when Salil Chowdhury was asked if Tagore was the father of modern Bengali Music, he replied in the negative. According to Salil, Himangshu Dutta should have been conferred that title. An accomplished singer and composer, Himangshu coincidentally was also born in Comilla the birthplace of S D Burman. A trained classical singer, he also learnt to write notations at a very early age. The two songs chosen by Indranath to showcase Himangshu were. 
  • "Soch Ke Ye Gagan Jhoome" from the film "Jyoti".  Himangshu had created this tune in 1950 and was based on the raag- Pushpa Chandrika - one created by Himangshu himself. S D Burman adapted this to create this lilting romantic timeless beauty.
  • "Piya Milan Ko Jana" from the film "Kapal Kundala".  This rage of the nation Hindi song was originally a Himangshu composition sung by S D Burman. The Bangla song was "Natun Faguney Jabey". Pankaj Mullick adapted this into Hindi. 

Nachiketa Ghosh 

A Medical Doctor by qualification, Nachiketa found love in music. Starting in the early 50s, Nachiketa composed predominantly in Bangla and Oriya languages and is considered a versatile and rounded composer. 

Indranath chose a Bangla song which was adapted in Hindi and chose to play both of them back-to-back. The caramelized melody captivated the listeners, many of whom were listening to it for the first time.  
  • "Meghla Bhanga Rod Uthechhe" from a non-film Bengali album was sung by Pratima Banerjee which was adapted into .............
  • ..........."Phulwa Band Mehke" from the film "Hum Bhi Insaan Hain" sung by Geeta Dutt & Suman Kalyanpur for a Hemant Mukherjee composition. 

Kazi Nazrul Islam 

Popularly called the "Bidrohi Kobi" (the Rebel Poet) Nazrul has and continues to have a towering influence in Bengal due to a large body of poetry, music, stories on varied themes like equality, justice, anti-imperialism, humanity and love. His strong opposition to all forms of bigotry and fundamentalism, including religious, caste based and gender-based makes him the popular poet of liberal masses. 

Indranath showcased two of his songs adapted into HFM. 
  • "Poocho Na Kaise Maine" from the film "Meri Surat Teri Aankhein" which had its original in the Bangla geet "Arunkanti Ke Go Jogi" a Nazrul Geeti. A contemporary of SD Burman, Nazrul influenced SDB significantly. 
  • "Roz Akeli Aaye" from the film "Mere Apne" which had its roots in the Nazrul Geet "Meghla Nishi Bhore Monte". The Bangla geet has multiple versions by several singers including one, interestingly, by Asha Bhosle. Interestingly because the Hindi song is sung by Lata Mangeshkar 

Sudhin Dasgupta 

A prolific composer in the Bengali Film Industry, Sudhin is largely credited to having given a modern touch to the orchestration in Bengali film songs. A talented musician who could play several instruments with ease, he graduated from the Royal school of Music, London. Sudhin has composed music for over 50 Bengali films. 

The song that Indranath picked for showcasing Sudhin had an interesting story behind it. He explained that the Bangla song - "Ei Chhaya Ghera Kalo Ratey" which was composed by Sudhin caught the imagination of Salil and he requested Sudhin's permission to adapt this song into Hindi. Thus, was born "Suhana Safar Aur Yeh Mausam Haseen" from "Madhumati" which was played on the show by Indranath 

Rabindranath Tagore 

A Nobel Laurette in Literature, Tagore was a polymath.  A poet, writer, playwright, composer, philosopher, social reformer, educationist and painter, he is also the writer of the National Anthem of two nations - India and Bangladesh. He is believed to have composed over 2000 songs which today form a part of Rabindra Sangeet 

Indranath's showcase song was "
Saawan Ki Raaton Mein" from the film "Prem Patra" . This wonderfully haunting songs with the sounds of the "Toofan" blended with Salil's Western Classical orchestration is a treat to the ears. 


Folk influenced Songs 
  • "Gao Mere Mann" from the film "Apne Paraye" draws inspiration from the Baul folk form in Bengal which is rooted in the Vaishnavite religious traditions. Indranath also drew attention to singer Amar Pal who popularized this form. Bappi Lahiri's adaption is so soothing and soulful. 
  • "Ummed Hogi Koi" from the non-film album "Dil Padosi Hai" is a R D Burman composition. RD has used several of his father's compositions to make his own, However the Bangla inspiration though sung by S D Burman is not composed by SDB. The Bangla song "Katha Kao Dao Saraa" is composed by Subal Dasgupta . This final icing on the cake was served by Indranath to complete his journey from Kolkata to Mumbai 

The journey on the Gitanjali express was wonderfully curated by Indranath and a good eyeopener to many in the audiences who may not have had an exposure to Modern Bengali music. Kudos to him for choosing such a theme and walking us through the journey. We stand richer thanks to his insights on tonight's show. 
 
1 Comment

Rafi and his ten co-singers

2/18/2024

0 Comments

 
R Parthasarathy | 17th Feb 2024
Partha is no stranger to the R4 (Revive & Rediscover Retro Radio) community and his love for HFM (Hindi Film Songs) is well known. Equally well known is his special Masala Chai, which he serves regularly, at times even coming to a venue only to serve the tea. He was the CEO of Agarwal classes in Dadar, Mumbai for close to four decades and his "Professor-on-the-Campus" looks and presentations are a joy to listen. 

Partha showcased Rafi, who happens to be his favorite singer, and his songs sung with other co-singers. He chose 10 different co-singers for his 10 songs and dished out some interesting stats on the number of songs of these singers with Rafi. His big contemporaries were there obviously. So were some songs with lesser heard co-singers.

Partha took some time to introduce the audience to his family circles and other incidents in his life which he shared for the first time with the R4 audience. His mother was a singer and a Veena vadhak , aunt an AIR certified artiste and his uncle a Carnatic Music Vidhwan from whom the likes of Parveen Sultana and K J Yesudas sought advice. In fact, his uncle had predicted the success of Yesudas very early in Yesudas's career. Partha mentioned that regretfully his uncle was not a commercially inclined artiste and never bothered to monetize his performances even to the extent of refusing to record for HMV despite their pressure on several occasions. Thanks to his heritage, Partha imbibed the "Pakkad" on Sur aur Taal but none in his family carried forward this musical tradition. Partha, however, might have redeemed himself with his stage singing performances.

His chosen songs of Rafi with his big contemporaries had a mix of Popular and lesser heard ones. 
  • For Mukesh he chose "Saat Ajube Iss Duniya Mein" from "Dharam Veer" a nice endearing number from the 70s when arguably both singers were beyond their best singing years. Partha mentioned about how Rafisaab was very close to Mukesh and apparently, he went out of his way to clear the mortal remain of Mukesh from the Customs when it was brought back from the US (where he passed away) 
  • For Kishore Kumar it was "Sa Re Ga Ma" from "Chupke Chupke" a popular fun and frolic song from the 70s when Rafi had already bequeathed the top male singer position to Kishore. The stories of their rivalry were largely the creation of the media according to Partha and we tend to agree. 
  • For Lata Mangeshkar, Partha picked up a beauty and a lesser heard one. The number of duets of these two are enormous both in quality and quantity and choosing just one would have been a humungous task. His song - "Phool Hai Baharon Ka" from the film "Jigri Dost" was reserved for the finale and it swept the audiences of their feet. A breezy "running" number (Jeetu, Mumtaz and Poonam Sinha are literally running all through the song). A strong testimonial of LP's prowess during the decade of the 60s to create long lasting melodies. 
  • For Asha Bhosle, Partha again chose an out of the routine (though a quintessentially OP Nayyar composition) - "Gora Rang Chunariya Kaali" from the film "Howrah Bridge" . A Punjabi Bhangra flavored orchestration encourages one to get on the floor and swing to the rhythm. 
  • For Geeta Dutt, Partha played safe with on the beaten track song "Are Na Na Na Na Tauba" from the film "Aar Paar".  I personally wish he had gone for a lesser heard gem of which there are many of the two mentioned singers. 
  • With Manna Dey, Partha made an interesting choice   "Ae Dost Mere Maine Duniya" from the film "Sachaai" . A film which was towards the end of the careers of both Shammi Kapoor and, arguably, his favorite composer duo of SJ. A wonderful take on life from two sides of ethical code 

Beyond these mainstream singers, Partha also showcased 4 other singers' songs with Rafi. 
  • Shamshad Begum - "O Gaadiwale Gaadi Dheere" from the film "Mother India". A rustic song from Naushad and both singers deliver with aplomb.
  • Balbir - "Yeh Maana Meri Jaan" from the film "Hanste Zakhm". 
  • Usha Mangeshkar - "Oonchi Oonchi Baaton Se" from the film "Mr. Natwarlal"
  • Suman Kalyanpur -"Ajhun Na Aaye Baalma" from the film "Sanjh Aur Savera"

All in all, an enjoyable one hour where Partha interspersed several stories from his life to explain his love for Films and film songs some of which I mention below. 
  • He used to listen to Binaca Geet Mala in the local train on his way back from work on his small transistor. He was, for this reason, the favorite of his co-travelers.
  • He was a "Google Guide" to which film was playing in which theatre in the days before the internet. 
  • He would always watch First Day First show and review the films for the members of his society along with samosas.
  • He got the opportunity to review the film "Karz" four days before the actual release due to the preview show that he got to attend. 
  • Despite being a devout fan of Rafi, he never managed to listen to him singing on stage. He however managed to visit Rafi's room in his house, an opportunity he cherishes the most. 
  • He started singing on stage only late in his life and the best compliment he has received was when he was told that had he started singing early in his career he would have become a big singer. 

The Biggest tribute that Team Nostalgiaana received from Partha was that his joining this forum has changed his life and given a new meaning to Music appreciation. 




0 Comments

Sangeet Ka "Divya" Darshan

2/12/2024

2 Comments

 

Divya Dave | 10th Feb 2024

Review by Mrinal Athle, R4-ian 
Since the new idea of PMP has been introduced to R4 community it is attracting lot of attention with increased expectations of the listeners. The curiosity is heightened by the time the day of PMP arrives! 

Divya Dave's presentation on 10th Feb was one such PMP which matched the expectations and the curiosity about the selection of ten songs of her choice. A proud homemaker, enthusiastic culinary expert, a poet, an author of a book and a dancer who has won prizes! This introduction about Divya made me sit up to hear about her topic of the presentation. 

As she announced 10 songs of 10 music composers the question that came to my mind obviously was - masters of golden era?  As she unfolded the set it was a treat! 

When one sees the listed jewels, one knows that the poet and the music lover in her are in synch with each other. 

She introduced each song with her own poetry which was interesting. I noted down some lovely lines written by her such as---
लहरोंसे भरा समुंदर समझ नहीं आता or  प्यार हो चाहे वहम चाहे  सच्चा दिलदार रहे or कडा इम्तेहान मुहब्बतकी ग़लियाँ! 
 
All ten songs being popular, famous, super compositions the listeners had a wonderful one hour of SHRAVANNSUKH. It was a very easy going, pleasant and lively presentation with Divya giving her own short commentary about each song. 

Here is the list of songs Divya played for her PMP.
  • "Jeevan Dor Tumhi Sang Bandhi" from the film "Sati Savitri."
The thought process of a married woman who is devoted to her husband. She says that come what may you are the only Bhagwan for me.  An iconic tuneful song composed by Laxmikant Pyarelal with "thehraav" and melody. 

  • "Zameen Se Humey Aasmaanv Par" from the film "Adalat" 
One of Madan Mohan's westernized tunes in waltz beats. A sawal- jawab kind of wonderful lyrics. Heartwarming serenity coupled with minimalistic musical fillers. Entire song ornamented with murkis and expressions. 
  • "Apne Piya Ki Main Toh Bani Re Joganiya" from the film "Kan Kan Mein Bhagwan"
A song based on a bhajan originally written by Meera.  Complete surrender to Krishna, Mohan beautifully worded. Has a ghoomar dance feel in its speed, taal and tune. 
  • "Theheriye Hosh Mein Aa Loon" from the film "Mohabbat Isko Kahete Hain"  
Divya added right proportion of masala in her introduction to this song! Simple and slightly humorous poetry, intoxicating tune full of romance. Rafi is Rafi, whenever! 
  • "Madbhari Yeh Hawayen" from the film  "Anokha Daan"
A tough tune in classic Salilda style. Many words, long lines. Quick taans, complex phrases, hardly any breathing places but after all it was Lata who knew exactly how to sail through such tough hands dealt by any composer! 
  • "Dil-e-Betaab Ko Seene Se Lagana Hoga" from the film "Palki"
Deeply romantic song, sukoon and thehraav! Such slow-paced songs are more difficult to render than the fast tempo ones. Super clear audio like all other songs played by R4 team. 
  • "Sansar Se Bhaage Phirte Ho" from the film "Chitralekha"  
Highly spiritual lines defying the religion. Exquisite composition by Roshan and sharply rendered by Lata giving full expression to the equally pointed words of Sahir.  
  • "Aa Neele Gagan Taley" from the film "Badshah" 
Shankar Jaikishan of 50s were totally different from their later years when their compositions had huge orchestration. 
Here in minimalistic instrumental support a beauty created which had serenity and peace. 
  • "Aap Ke Haseen Rukh Pe" from the film "Baharein Phir BhiI Aayegi"
Song with full clarity of thoughts in lyrics, music, voice! Fantastic piano pieces suited for an outright nasha inducing number! 
  • "Yeh Dil Deewana Hai" from the film "Ishq Par Zor Nahin" 
As Divya introduced this finale song with her inputs on life being a colourful canvas, the song unfolded the feel-good romantic factor set in this Arabic sounding tune. 

The entire presentation was very tightly crafted with precision and right amount of lighthearted humour. Overall, a very enjoyable happy one hour.
2 Comments

Nostalgia with Nostalgiaana !

2/4/2024

5 Comments

 

Anupam Sinha | 1st Feb 2024

​There is something about creative artists that, they seem to spellbind the audiences in whatever they do. Anupam Sinha was no different. A comic book artist and writer, with sections of media crediting him for revolutionizing Indian comics with his work at Raj Comics. He is credited as the creator of the superhero - "Super Commando Dhruva"

The songs he presented, he said, had great memories for him and evoked a sense of nostalgia in him whenever he heard them, though there were no particular incidents that he connected to these songs. Something he mentioned, clearly stuck a chord with most listeners since they had experienced the same situation when growing up. Anupam mentioned about how in his childhood, there was no radio in their house, and he would hear songs wafting through the neighbor's radio. What's difficult to access or acquire is cherished the most, he said while introducing the songs and no truer words have been spoken. He cherishes some of the songs that he had chosen to play tonight as they were accessed with great difficulty and these songs have got themselves imprinted in his mind forever. 

Eight of the Ten songs had lyrics referring to romance, love and beloved. Though Anupam did not mention it, these songs probably were heard during his youth and hence the affinity for them is understandable.
  • "Tu Chanda Main Chaandni" from the film "Reshma Aur Shera" was the first offering of the night and it did cast a spell on the audiences from the word go. Anupam metaphorized this song to a - उड़ता कागज़ का टुकड़ा - which no one knows will float in which direction. The way the song evolves is similar. Myriad emotions, rhythm swings, melody changes make this a one of its kind of a song.
  • The first song had the "Chandini" as this song too - "Tere Bina Aag Yeh Chandni" from the film "Awara". A classic which from the movie which anointed Shankar-Jaikishan as the Composing Giants who ruled the airwaves for the next 2 decades. Anupam mentioned about Binaca Geetmala and how his Wednesday evenings were invariably devoted to this (as it was for many of us here) 
  • Anupam, when he one day heard the album "Uran Khatola" on the LP, was mesmerized and kept hearing them for a long time. One song he played tonight - "Kuhu Kuhu Bole Koyaliya" from the film "Suvarna Sundari", he mentioned gave him that joy of discovery that he felt when he first heard the Uran Khatola LP. A delectable soft crooning romantic song of Lata and Rafi who were arguably at their prime of singing in 1958.
  • Three songs chosen from the same movie came as a surprise to all. Well, the context made it clear why Anupam had chosen to play them together back-to-back without interruption. The film was "Dekh Kabira Roya" The film had a very intriguing theme. Three artists - a singer, a writer and a painter fall in love with three women - again artistes and exactly the same category as them. The comic situation is created when the pairing is not a straight match of their artistic inclinations.  The artist then tries to become someone he isn't leading to hilarious situations. Anupam's contention, possibly, being even between artists there is no commonality of thoughts. 
    1. ​​"Meri Veena Tum Bin Roye" 
    2. "Ashqon Se Teri Humne" 
    3. "Tu Pyaar Kare Ya Thukraye" 
  • Just when one was beginning to get thinking, will every song be of a "serious" nature, Anupam unleashed two frothier romantic gems, with faster rhythm and one that nobody, who has ever been in love, can turn away from 
    1. "Humdum Mere Khel Na Jaano" from the film "Phir Wohi Dil Laya Hoon"
    2. "Tum Jo Mil Gaye Ho" from the film "Hanste Zakhm"
    The former a destress song for Anupam as he called it, and this never fails to bring a smile on his face no matter what the situation. It does the same to us too. Not for nothing is O P Nayyar the Rhythm King. He can get your feet taping, heart beating faster and the adrenaline pumping harder. The latter was showcased for the arrangers which Anupam kindly credited Nostalgiaana to bringing to the fore. One of his personal favorites and a song that can never die, will keep the romantics intrigued eternally.

  • In between all this, Anupam slipped in two sombre, yet profound songs 
    1. "Dekhi Zamaane Ki Yaari...Bichde Sabhi Baari Baari" from the film "Kaagaz Ke Phool" 
    2. "Hum Gaganwa Na Jaibe" + "Sakal Ban Gagan Pavan Chalat" + "Vikal Mora Manwa Un Bin Haye" from the film "Mamta"
    The latter a combination of three parts of the song which on screen shows the journey of the main protagonist from her childhood to adulthood. The former, of course, is a cult classic which Anupam said stuns him into silence each time. The fickleness of the friendship and of the world in general is so aptly presented by Kaifi Azmi.

Anupam was engrossing and his song selection were special. My only peeve - would have loved to hear him speak more. The artist in him remained hidden and maybe he chose to keep it that way!!

5 Comments
<<Previous
    Picture

    Balaji Ramachandran

    Music listening is a passion and out of this passion was born Nostalgiaana. We  (along with Shankar Iyer) present radio style shows since April 2020 

    Disclaimers 

    • This is my personal review and views expressed are entirely mine and NOT of TEAM NOSTALGIAANA 

    • I hope to review it objectively and not just make this an attempt at absolute unquestioned veneration.

    Any view for or against may be expressed through the comments section.

    Archives

    May 2024
    April 2024
    March 2024
    February 2024
    January 2024

    Categories

    All

    RSS Feed

Site Information

Privacy Policy
Services
Pricing
Cookies Policy
Terms of use
Billing, Cancellation & Refund Policy

Company

About
Contact us 

Support

FAQ

Others
Blogs
​
Member Presentation Reviews
© COPYRIGHT 2025. ALL RIGHTS RESERVED.
  • Home
  • About us
  • R4 WeekEnd Shows
  • Testimonials
  • Media
    • Visual Media
  • Member Presentation
    • Book a Member Presentation
    • Book a Premier Member Presentation
  • Saregama